Go Set A Watchman
is an enjoyable and interesting read. The most enjoyable parts are when Lee's
humour shines through, and this is mainly in the sections in which episodes
recollected from childhood and adolescence are recounted. There is a lovely
scene in which Jem, Dill and Jean-Louise act out an adventure story together in
the garden. The arguments about who gets what part are beautifully observed.
The pecking order of the three children, based mainly on age, emerges, as does
the personality of each. Jean-Louise is the tomboy we know from To Kill A Mockingbird and in a later,
equally funny, scene this is underlined when she takes off her overalls
("her only garment") to be ‘baptised’ by Jem in the role of minister,
Dill playing his assistant. The baptism takes place in the fish pond belonging
Miss Rachel, Dill's aunt, who interrupts the children in the midst of their
game. Dill duly rounded up and marched inside, Jem and the naked Jean-Louise
then turn home, only to walk straight into their father, Atticus, who is
standing in the driveway next the real minister and his wife.
The storytelling is excellent in such episodes; summarising
them does not do them justice. There is equal hilarity in the way certain
periods of Jean-Louise's adolescence are conveyed. On convincing herself she is
pregnant following an unbidden kiss from a classmate, the adolescent
Jean-Louise starts counting the days until her baby is due. Eventually, after
months of mounting inner torment, she breaks down and tells Calpurnia, the
maid, what has been bothering her:
‘"I'm going to have a baby!" she sobbed.
"When?"
"Tomorrow!"’Although very funny in places, Jean-Louise’s adolescent confusion takes her to the brink of suicide and the compassion and insight with which her growing angst is described adds a dimension to Go Set A Watchman that isn’t present in To Kill A Mockingbird. This is not to say To Kill A Mockingbird lacks anything. Lee’s Pulitzer prize winner is constructed around a relatively short period of Jean-Louise’s childhood. Had the perspective been broader you feel something of its tautness and intensity would have been lost.
Go Set A Watchman
is told from the point of view of a 26-year-old Jean-Louise. Some characters
who we already know from To Kill A
Mockingbird are very different in Go
Set A Watchman, none more so than Atticus, who, as has been much
documented, is at this period in Jean-Louise’s life a member of a white
supremacist organisation.
On the surface, Atticus as a younger man appears to have
been the heroic father described in To
Kill A Mockingbird. He once successfully defended a black boy against an
unjust charge of rape and secured saintly proportions in Jean-Louise’s mind as
a result. But there is a double shock in store for his daughter – and the
reader familiar with To Kill A
Mockingbird. It’s not that Atticus has changed – he never really was what
Jean-Louise thought him to be in the first place. The reason he decided to
defend the black boy is because liked “a neat brief”, as the adult Jean-Louise
puts it. The boy’s case interfered with Atticus’s orderly mind and he had to “work
order out of disorder”.
I don’t really have any misgivings about this very different
version of Atticus. In a way, it forces you to confront what is probably a
reality of racism – that it can be present in those who do not act upon it, or
who appear to have quite a different belief system. It can also be present in a
society which has legislation in place which makes it unlawful. That said, this
sobering truth would be less likely to hit home were you to read Go Set A Watchman without having read To Kill A Mockingbird, where your
unambiguous belief in Atticus is formed along with the young Jean-Louise's.
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